Mary
Elizabeth
WinsteadSource

Two new videos of Mary at the Tribeca Film Festival world premiere of All About Nina have been uploaded. Check out the vids below:

Under the Radar magazine caught up with Mary and her All About Nina director Eva Vives during the Tribeca Film Festival last week. You can read part of the interview below and click the link provided to read it in full:

Do either of you have any experience doing stand-up?

Winstead: Now I do. This was my first foray into it.

Eva Vives: I was there for her first performance.

Winstead: It was one of the most nerve-wracking things I’ve ever done, I think. I was kind of paralyzed with fear about it. When we were just at the stage of getting ready to do it, I’d always thought I’d really throw myself into it, and immerse myself in it. I’d do open mics, and I’d do all of these things. But then, I was scared to do it. And then part of me thought, “You know, I’m not really a comedian.” Like, [my character] is supposed to be good at it, and if I just went and did open mics, I’d suck at it. [Laughs] it wasn’t necessarily going to do what I wanted it to do, you know?

So instead I just tried to harness her confidence with it. I’d just go in and believe in what I was saying, and believe that it was funny. It helped that it was funny, between what Eva had written and the consultant we worked with, Jamie Loftus, who came in and helped us as well.

Mary, what are things that excited you most about the role?

Winstead: I mean, all of those things: the layers of the character are undeniable. Sometimes you read scripts, and especially for a woman looking for an interesting role, it’s really clear when it’s there on the page, because it doesn’t happen all the time.

At first I was reading the script just casually, but then I was reading it, and reading it, and reading it, and I got through to the end and just went, “Oh my god.” This was an incredible opportunity to be really challenged by a character, and also to do something really meaningful in terms of what it was saying. It was kind of a no-brainer. When I met with Eva, I was so on board immediately.

The role looks like it was very challenging. The character shows such a wide range of emotion – she’ll be on stage, confident and in command in one scene, and then a crying mess moments later.

Winstead: It was a challenge, which is what I wanted. The best experiences, for me, are when you’re excited about something and then you go to do it, and you’re sick with nerves over whether you actually might be able to pull it off. As awful as that moment is, it’s always the best. That’s really what I strive for in the roles I take on.

Vulture interviewed Mary, her All About Nina co-star Common and the film’s director Eva Vives during the Tribeca Film Festival. You can watch their Q&A below along with a game they played.

Additionally, moveable interviewed Eva and what it was like working with Mary during production:

It was great. I mean, what a cast to have for a first film especially. And I love their acting, but [Mary and Common] are also the two of the nicest people. I got so lucky with Mary in particular, because I was a little worried that it’s a punishing part in many ways and I don’t think she looked at it that way – because she’s insane, and I mean that in a good way [laughs] – but she makes it look so easy. I remember one day I looked at the schedule and it was the [scene where] she met Rafe, [a different scene where she] made out with that dude in the closet, and [another where she] fucked Mike on the same day. Plus, she did a [standup] routine and some other thing. I was like, “Oh, my god. How does she do this?”

It’s very intense to be playing Nina. There’s a lot of funny stuff in it – and she obviously does comedy and can make people laugh, but then there’s also drama. And she dances. There’s a sex scene. It’s just endless. Mostly, we talked about it a lot. [Mary’s] not big into rehearsing, and I can go either way, so we talked about who she is and where she was coming from and what was happening in each scene and the parts we did rehearse were the stand up, which I think was the part that worried her the most although I knew she was going to be totally fine. It was just a question of getting her comfortable and in the rhythm. Together and separately, we watched a lot of comedy, we went to shows and I’m very familiar with the comedy scene, more New York than in LA because I used to be in it, and we had a great comedy consultant in the movie, Jamie Loftus, who is a young comedian who was integral in this because it was her and I, and Mary sometimes, adding jokes and taking it further. Jay Mohr was helpful as well. We just ran our routines past him and took notes.